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My studio practice revolves around painting, and during my MA studies installations too. I explore either the compositional relation between the canvases or the relation with their surroundings and alternative mediums such as photography and video.
My explorations relate everyday life and presentation methods. I take snapshots and record short videos documenting moments and the physical/visual qualities of my surroundings which are observed during routine daily activities.
Visual qualities such as transparency or reflections have played an essential role in my work, as is the case for many of the glass surfaces of modern buildings in cities. Windows or displays function as inside-outside boundaries or expansion-limitation dialectics through visuals illusions.
Since light is the primary cause of our visual perception which enables us to perceive physical qualities, the experience of luminosity is considered the fundamental element of my work. The borders which are associated with the shape of things specify either perceptual or physical boundaries. On the one hand the experience of luminosity results in physical/bodily/territorial outputs and on the other hand the experienced/ethereal sunlight reveals one of the most fundamental and powerful happenings of life, the movement of time, consequently the life cycle too.